Disappointing. It's so much less controversial when it's presented in this way. The real storytelling is dramatized in trivial ways. Snowden himself didn't think highly of the film either because it focused more on his personal life esp. with his girlfriend.
希區柯克與杜魯福彼此尊敬的藝術家(artist with camera)朋友透過其他導演的眼睛終於體會到以往在希區柯克電影中未察覺的魅力:他的現實主義、電影語言結構、關掉聲音也可看完電影的聲像處理、在雙曝交疊畫面中釋出的多重情感⋯ 有人說他的電影基礎是罪惡的轉移有人說他的故事基於情色有人說是他提醒世界不要忘記時代變化攪亂的社會神經而他關心拍攝道德困境他說:filmmakers don't forget audience. 關於杜魯福他對電影的愛也許永無止境但他在希區柯克去世四年後在52歲的年紀步入死亡這在今天仍讓人扼腕
我随朝露去:222.57.109.215
#黑泽明 8th Only when he learned he would die did he start to live. “影片屡屡强调着这种面对死亡产生的自觉成全视频在线观看免费看需要极强的意志力、也面临无法挽救的孤寂” 影片最后的“雪夜秋千”的场景运镜、镜头设计水准很高意境十足以“憔悴美”描绘了主角临死前雨雪纷飞中荡着秋千唱着情歌的美态黑泽明的社会题材影片我自认为更精彩本作鞭辟入里反映且讽刺了当时行政体制的臃肿以及政府官员的不作为、不上进、推责任、苟工资、争功绩、淡人情的丑相